This is something new for CheapProFonts: a collection of traditional hungarian flower illustrations. No "extended character set", but still with an international flair... ;)

Another font reworked by request. This time it's Kimberly Gesweins own handwriting, named for a sweet California friend of hers :)
Kimberly has spotted the original free version of this font in use in the far outskirts of China, and now - with the expanded language support - this Pro version can also be used in the more remote parts of the western world ;)

A grunged-up variant of ITC Avant Garde Gothic – with ultra-tight spacing (uppercase letters are mostly overlapping)! Perfect for that worn but stylish look, now with hugely extended language support!

Most uppercase letters of this constructivist font are made to look like cyrillic letters, so by carefully interspersing those you can set your text and headlines with it and make it look russian!
To a native russian this of course looks very silly indeed, so to make amends for toying with their letters I have also included a full proper and genuine cyrillic character set. So this is the first CheapProFonts font to support languages using the cyrillic script in addition to the usual 65 latin-based languages.

Vic Fieger says: "This font was designed with Russian constructivist artwork in mind, particularly works by El Lissitski. This new version is essentially the same as the original, but with a few of the rough edges rounded off.
The original incarnation of this font has appeared in places such as the animation graphic for The Colbert Report's "Cold War Update", and a cartoon from the world-famous JibJab website."

And here is a new Light weight of Danube to complete the set! Please note that the thinning process for this font mostly just involved removing a bit of weight from the outside of each letter (and adjusting the spacing) - so it no longer rests on the baseline. But it is slightly more elegant! ;)

Finally the Bold weight of Danube has received the CheapProFonts treatment! Please note that the bolding process for this font mostly just involved adding a bit of weight on the outside of each letter (and adding a bit of spacing) - so it no longer rests on the baseline. But it gives a bit more punch! ;)

A very popular grungy font, now made even more useful! :)
With this Pro version you have the possibility to tone it down a bit - I have made alternate letters without swashes (use the OpenType "Swash" feature to remove them) and without so much bleed (use the OpenType "Stylistic Alternates"/"ss01" feature).
And then you can turn it up again by adding 6 different swashes to any letter!: write "{" or "<" before a letter to add a swash to the left side, "^" will add one above - and/or write "}" or ">" after a letter to add a swash to the right side, "_" will add one below. Added fun and language support! :)

This font has that grungy, gritty look, and combines it with some elegant swirls. Weird and wonderful. :)
I have added swirls and decorations to ALL the uppercase letters that did not have them, so there are now wider possibilities to add interesting decorations to your composition. In addition to the expanded language support, of course.

This is what you get when you mix monoline rounded letters with some bracketed serifs and finish it off with a sprinkle of ornamental appendages. The result is very readable, rather original and quite charming. :)
I have fixed some inconsistencies in serif designs across the weights, cleaned up the serif connections - and added a fourth weight. But I have kept all the wonky curves and slightly differing stroke thicknesses, as they are so integral to the charm.
Kevin King says: «I guess all type designers at some point think "Well, I'll just have a go at a standard text face..." There is a long story here somewhere, suffice it to say that I started with the thinnest version - typical. I wanted to make a standard serif text face - until I saw it in print and thought "Yuk! it looks like everything else!" - still does really but with twiddles and pooneys...»
If you find the "twiddles & pooneys" too much you can tone them down with the OpenType "Stylistic Alternate" feature (which will make sure they don't appear on three consecutive letters) or remove them completely with the OpenType "Swash" feature.

This font has a charming mix of the organic forms of the Art Nouveau style and the geometric forms of the Art Deco style - and it makes it work! :)
Nick Curtis says: "A general-purpose Art Nouveau font that has been kicking around for a while under various names. As usual, redrawn for consistency and economy of line. Named, for no good reason, after the river that flows near Thomas Jefferson’s home, Monticello."