A 20 degree slant, and this speedier variant of Brian Kents psychedelic font is ready for use (for those who use software where you cannot slant the upright version yourself ;)

Nothing says cozy and homely like cross-stitching and needlework ;) This reworked version of Ray Larabies font is now ready for setting in lots of languages...

This font from Brian Kent is perfect for that 70s hippie look. I have totally redrawn the outlines, and redesigned a couple of glyphs that were too "mechanical".
Part futuristic + part rounded = totally psychedelic ;)

The perfect companion for the previous release: Genotype H BRK Pro (The H stands for Hollow and the S stands for Solid ;). Can be used as a fill for its companion (using layers), but is also quite a useable font on its own.

A stylistic and square outline font by Brian Kent - suitable for headlines and logomarks. The original font contained no diacritics at all, so I have designed these to match. I also made the descenders on "g/j/p/q/y" a bit longer - so they would balance better with the letters with diacritics below the letter...
I redesigned the "t", but have included the original "t" as an alternate, available via your programs' glyph palette or using the OpenType functions "Stylistic Alternates"/"ss01".

A very clean and stylistic font. Basically just an uppercase alphabet - with all the letters duplicated in the lowercase positions. I have corrected the AE and OE ligatures, and redesigned the diacritics before expanding the character set.

A nice, black display face by Nick Curtis - perfect for a retro/western poster look. I have kept the quirky "t", increased the dot above "i" and "j" slightly, improved the spacing/kerning and modified/added all the usual diacritics. A pretty easy reworking of a good quality font. :)

«A fun font extrapolated from a "Bodoni" O and I» as Ray Larabie says about this peculiar, but nice looking Didone interpretation :). I have removed the tail from the C and G (as they could be mistaken for diacritics in foreign texts) - but they are still available as OpenType Stylistic Alternates ;). I then adjusted the existing diacritic letters to correct their design, and added lots of new ones. Beautiful and quirky!

I just loved the design idea behind this font, but the original font had a lot of ugly artefacts - so I have completely redrawn ALL the letters, before expanding the character set. The lowercase have been redrawn with a higher x-height, making the font even more useable (with more "normal" word shapes ;)

«A delicate serif font with a hand drawn appearance, reminiscent of hand painted store signs. Naïve lettering inspired by lettering on a small-town tea shop near Guelph» as Ray larabie describes this elegant font.
I have adjusted the diacritics to allow better international text setting, modified some glyphs, and added lots of new ones.