A shadowed variant of the classic DIN 1451 Mittelschrift. The metrics and kerning is the same as the Plain version, so you can use this together with the Plain version for layer effects - the shadows will then fall from the Plain shapes. ;)

More DIN variants to come... :)

An extremely detailed grunge typeface! Although it has the fewest characters of our library (no need for typographic niceties in such a rough headline font ;) the font files are the largest from us yet: the OpenType file is a whooping 1,7Mb!

A stylized variant of the classic DIN 1451 Mittelschrift - with looped letterforms opened up for a subtle, modern-looking effect.

More DIN variants to come... :)

An outline (and multilingual) variant of the classic DIN 1451 Mittelschrift. The stroke expansion is equal on both sides of the original outline, so you can use this together with the Plain version for layer effects - the Outline will cover the Plain, and with built-in trapping. ;)

More DIN variants to come... :)

A stenciled variant of the classic DIN 1451 Mittelschrift, complete with a large multilingual character set. The stencil effect is quite thin - in the style of AG Book Stencil - so use this font only at large sizes.

More DIN variants to come... :)

Couldn't you really use a wish right now? Girly. Swirly. Quirky. And utterly adorable. This Pro version of one of Kimberlys latest cutesy handwriting fonts has received lots of corrections and tweaks to the outlines - to remove autotracing artefacts, stroke width inconsistencies and create a better flow. Finally the character set was completed and expanded. Job done! Back to stargazing... ;)

This is my version of the classic DIN 1451 Mittelschrift, complete with a large multilingual character set. I have made it primarily because I have plans to have a bit of fun with it by experimenting with giving it some very different expressions - far removed from its serious and no-nonsense roots. Watch this space! :)

A freeflowing brush script with only uppercase letters. Now with a professional and multilingual character set!
Vic Fieger says: "The letters in Edo were hand-drawn using a thick black permanent marker with a flat head. The head was chopped up using a box cutter to create a "brush" effect. The entire font was made while watching Bobobo-bo Bo-bobo.
Edo has been used by video game-makers UbiSoft in their game adaptation of the 2007 animated film Surf's Up, as well as ads for the Fuse 2006 Warped Tour. More recently, it has turned up in such places as the cover for the US release of the manga Teru Teru x Shonen, and the logo for A&E's program The Cleaner."

The history of Aerolite, from Jan Paul: "The Aerolite fonts are essentially stripped down versions of a complex outline typeface I designed for the first Midnight Oil album in 1978, affectionately known as "The Blue Meanie". Many years later I saw the font "powderworks" and asked Brian Kent if he would be interested in digitizing Aerolite. Brian is a font (!) of knowledge and was of invaluable help by getting Aerolite to where it is today. Special care was taken in keeping the distinct character while as Aerolite Regular also providing a legible, thouroughly kerned body type which can be used in all sizes for large volume text."
For the Pro version the kerning has been tweaked further, and the character set completed and expanded - and the alternate uppercase A (also with accents) is available as OpenType stylistic alternates. It is now ready for your next international science or sci-fi project.

This is something new for CheapProFonts: a collection of traditional hungarian line patterns. Repeatable to create borders. No "extended character set", but still with an international flair... ;)